Agent Spotlight: Mary Cummings Interview and Query Critique Giveaway
Today I’m thrilled to have agent Mary Cummings here. She recently left Betsy Amster Literary Enterprises to form her own agency, Great River Literary
Hi Mary! Thanks so much for joining us.
About Mary:
1. Tell us how you became an agent, how long you’ve been one, and what you’ve been doing as an agent.
I joined Betsy Amster as an agent in 2008 to bring expertise in children’s and teens book projects to her agency, having served as Education Director at the Loft Literary Center where I, among other things, curated an annual festival of children’s literature and chose judges for the McKnight Award from leading editors in the field. I’ve sold many books by authors and author/illustrators to such publishing houses as Knopf; Little, Brown; Abrams; Chronicle; Random House; Wiseman S & S; Philomel; Holiday House; Viking; WorthyKids; Henry Holt; Feiwel and Friends; FSG; HarperCollins; Balzer & Bray; Candlewick and many others.
About the Agency:
2. Share a bit about your agency and what it offers to its authors.
I’m an “editorial agent.” I work with writers and writer/illustrators to help them get their work revised and ready for submission. I have to love what I take on. It takes hard work, time and energy to get a project (manuscript) polished and into the hands of editors and I want to be sure it’s something I’m excited about and can share that spark with editors to get THEM excited. For every project I want to take on, there are literally hundreds that I turn down. But once I take it on, I use that excitement to propel me very quickly in getting it out to editors. (Some agents essentially keep projects “in a drawer” for months before taking any action on them).
What She’s Looking For:
3. What age groups do you represent—picture books, MG, and/or YA? What genres do you represent and what are you looking for in submissions for these genres?
I’m looking for the full age range, board books to YA. I’ve got quite a bit of detail on what I’m looking for on my website, greatriverliterary.com
4. Is there anything you would be especially excited to seeing in the genres you are interested in?
How about a picture book about the Mississippi?! It is the Great River, after all. Or a novel where it figures in a significant way. Lots of other suggestions on my wishlist on greatriverliterary.com
What She Isn’t Looking For:
5. What types of submissions are you not interested in?
I tend not to like ironic or clever. I see too many monsters, superheroes, different-but-special stories, and love-themed board and picture books that are too parent-focused and not focused enough on the kid’s actions and wants. I generally don’t like zombies, vampires, et. al. For ya books, I don’t want a protagonist beyond high school age.
Agent Philosophy:
6. What is your philosophy as an agent both in terms of the authors you want to work with and the books you want to represent?
Perhaps I can best answer that by saying that I love to see writers develop and I find real joy in nurturing them. And I want books that I can feel proud of having been a part of getting out and into the hands of kids. The authors I want to work with are dedicated, professional and talented.
Editorial Agent:
7. Are you an editorial agent? If so, what is your process like when you’re working with your authors before submitting to editors?
Yes. I’ve talked a bit about this (number 2, above), but to expand: I see areas that could be improved in most manuscripts. Sometimes it’s a small tweak or two that I will suggest to the author, while other times it’s more extensive. Quite often there will be several back-and-forth exchanges. I never want the person to feel forced in making changes. At the same time, if they don’t resonate with my insights, we may not be a good match. Very occasionally I’ll receive a project needing just about no changes.
Query Methods and Submission Guidelines: (Always verify before submitting)
8. How should authors query you and what do you want to see with the query letter?
Please follow what I’ve listed under “CONTACT” on greatriverliterary.com
9. Do you have any specific dislikes in query letters or the first pages submitted to you?
Yes. Sending attachments, when submission info specifically says not to (links are fine). Generic, “cattle-call” queries (“dear agent” or “hello”); typos and misspellings; teensy font; manuscript samples sent without a query; cutesy speaking in the voice of the protagonist (“Jimmy Jacks wants you to pay attention to his story”)
Response Time:
10. What’s your response time to queries and requests for more pages of a manuscript?
I’m usually fast. Generally within a few days or weeks, though could be longer depending upon what else is requiring my attention.
Self-Published and Small Press Authors:
11. Are you open to representing authors who have self-published or been published by smaller presses? What advice do you have for them if they want to try to find an agent to represent them?
I do not want to represent self-published work, but authors who have in the past self-published and have new work (not a continuation of a series) I’m happy to hear from. Ditto on small presses. As for advice, perhaps confer with critique groups and the broader kidlit community.
12. With all the changes in publishing—self-publishing, hybrid authors, more small publishers—do you see the role of agents changing at all? Why?
In some agencies, yes, because of the factors you indicate.
Clients:
13. Who are some of the authors you represent?
I like having a mix of newcomers and career writers. George Shannon has over thirty picture books, including a number of award winners. Elizabeth Verdick is a career writer best known for her SMALL WALT series with Paula Wiseman Books/S & S. Angela Dalton is “hitting the gong” with three picture books coming out in rapid succession, from HarperCollins and Viking. Ditto for Maggie Rudd, with three forthcoming picture books and a middle-grade novel with FSG. Debut author-illustrator Ron Grady has an exciting picture book entitled, WHAT IS BROWN? coming out with Nancy Paulsen Books. Katherine Hocker’s debut picture book, I WAS, sold at auction to Candlewick. These are just a few of my wonderful clients!
Interviews and Guest Posts:
14. Please share the links to any interviews and guest posts you think would be helpful to writers interested in querying you.
With my shift from Betsy Amster Literary Enterprises to my own agency, Great River Literary, I’m just starting to do new interviews.
Links and Contact Info:
15. Please share how writers should contact you to submit a query and your links on the Web.
Additional Advice:
16. Is there any other advice you’d like to share with aspiring authors that we haven’t covered?
Get your work into the best shape possible before submitting. Live with it, pick away at revisions, then have others look at it and give you their insights for clarity and enhancement. Be open. Welcome other perspectives and take joy in playing with your story as you experiment with making changes. Research agents to see which may be a good fit for your work. In your query, mention why you are approaching them in particular: what have you seen on their website, in interviews, in the buzz of the kidlit community, etc. that prompts you to write.
Thanks for sharing all your advice, Mary.
Giveaway Details
Mary is generously offering a query critique to one lucky winner. To enter, all you need to do is be a follower (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment through August 7th. If your e-mail is not on your Google Profile, you must leave it in the comments to enter the contest. If you do not want to enter the contest, that's okay. Just let me know in the comments.
If you mention this contest on Twitter, Facebook, or your blog, mention this in the comments and I'll give you an extra entry. This is an international giveaway.
Have any experience with this agent? See something that needs updating? Please leave a comment or e-mail me at natalieiaguirre7@gmail.com
Note: These agent profiles and interviews presently focus on agents who accept children's fiction. Please take the time to verify anything you might use here before querying an agent. The information found here is subject to change.